Radial Balance in 3d Sculpture Variety Through Use of Deferent Art Elementsin 3d Sculpture

Presentation onComponents of an Artwork (Subject/Form/Content/Context)

3D Design

Elements of Three-Dimensional Work
Space	A continuous surface area or expanse surrounding or enclosed by mass (holes and cavities)
Course / Mass	An enclosed book or iii-dimensional body of thing making upwardly the area of an object
Line	A line is the path of a bespeak, or the connexion between 2 points. Lines can be made on their own, or they tin be created where two shapes run into. There is also "implied line," where a line doesn't really exist, but appears to be present.
Airplane	A flat surface
Texture	Texture is the perceived expect, feel, or quality of a surface. Texture can be actual (tactile) or unsaid.
Colour	Human perception of different wavelengths of visible light; Component parts include hue (the name of the color; example: blue), saturation (purity or intensity of the color), value (relative lightness or darkness of the colour).
Light / Value	The relative lightness or darkness of an area. Light and value help provide a sense of space and depth around an object.
Principles of Iii-Dimensional Work
Balance	Rest is the equalizing of the visual weight of elements. At that place are three types of residue: symmetrical (one one-half mirrors the other), asymmetrical (dissimilar items residual each other out), and radial (elements are spread out circularly from a central indicate)
Repetition / Rhythm	Repetition is a repeating visual element (line, shape, pattern, texture, movement), and rhythm is its flowing and regular occurrence. Both repetition and rhythm are often constitute in patterns.
Focus / Accent	The focus or emphasis is the object or chemical element which first catches our attention. Contrast in elements is one of the most common ways to create focus.
Unity / Harmony	Unity or harmony is the visually satisfying effect of combining like, related elements to create a sense of oneness, wholeness, or society in a work of art.
Calibration / Proportion	Scale is the overall size of something. Proportion is the relative size of objects inside a work. For example, a extravaganza exaggerates the proportion of one or more than facial features, while installations in sculpture gardens ofttimes have a very big calibration.
Contrast / Multifariousness	Dissimilarity is the relative departure between ii or more elements. Multifariousness is the relative variety and change throughout a piece.
Motion / Hierarchy	Movement is the visual path our center follows. Bureaucracy is a manipulation of elements to create movement through a work.

2D Design

Link to online presentation.

ELEMENTS:

Line	A line is the path of a point, or the connection betwixt 2 points. Lines can be made on their own, or they can be created where ii shapes meet. There is also "implied line," where a line doesn't really be, but appears to exist nowadays. The way nosotros treat our lines establishes a detail/dominant mood or emotion.
Shape / Infinite	Shape is a perceivable area (think silhouette). Shapes tin be created past lines or by color or value changes that define edges. The shape itself is the positive space, and the infinite around the shape is the negative space.
Value / Tone	Value or tone is the relative lightness or darkness of an expanse.
Texture	Texture is the perceived look, feel, or quality of a surface. Texture can be actual or implied.
Color	Man perception of dissimilar wavelengths of visible light; Component parts include hue (the name of the color; example: blue), saturation (purity or intensity of the color), value (relative lightness or darkness of the colour). [Note: we won't use colour in Beginning Drawing.]

PRINCIPLES:

Balance	Residue is the equalizing of the visual weight of elements. There are three types of balance: symmetrical (one one-half mirrors the other), asymmetrical (unlike items balance each other out), and radial (elements are spread out from a central point. Symmetrical = dividing a composition into two equal halves with seemingly identical elements on each side. Asymmetrical = balance based upon a visual sense of equilibrium that can exist felt more than information technology tin be measured. There are no specific rules for asymmetrical balance except that of diverseness epitome credit
Repetition / Rhythm	Repetition is a repeating visual element (line, shape, pattern, texture, motility), and rhythm is its flowing and regular occurrence. A subcategory of repetition is design. Pattern – any compositionally repeated element or regular repetition of a design or single shape; pattern cartoon sin commercial art may serve as models for commercial imitation.
Focus / Accent	The focus or accent is the object or element which start catches our attention. Rule of Thirds – a compositional tool that makes use of the notion that the most interesting compositions are those in which the chief chemical element is off center. Basically, have any frame of reference and split information technology into thirds placing the elements of the composition on the lines in between. Visual Center – The visual eye of whatsoever page is just slightly above and to the right of the actual (mathematical) center. This tends to be the natural placement of visual focus, and is also sometimes referred to as museum elevation. Gilded Rectangle – Another method of arranging a limerick.
Unity / Harmony	Unity or harmony is the visually satisfying event of combining like, related elements.
Scale / Proportion	Scale is the overall size of something. Proportion is the relative size of objects inside a work. For example, a caricature exaggerates the proportion of 1 or more facial features. [collage by Nacick Paliughi] Credit
Contrast	Contrast is the relative departure between elements. Bright vs Dark. Heavy vs Calorie-free, Rough vs Soft, etc. The greater the deviation betwixt lite and dark areas, the more attention the area attracts.
Move / Bureaucracy	Movement is the visual path our heart follows. Hierarchy is a manipulation of elements to create move through a work.

• Depth – overlapping forms suggest depth; changes in calibration can suggest depth; illusionistic perspective tin can suggest depth, atmospheric perspective (see images here) can suggest depth
  
  foreshortening as well shows depth

4D Design

Elements and Principles of 4D Art and Design,by Ellen Mueller (Oxford Academy Press, 2016).